08 May 2011

"Someday. That's a dangerous word."

Someday I will build my own home.  This has become my mantra recently.  Not that I haven't always thought of that, being an interior designer and all that has always been a given.  These days I spend hours day dreaming about it.  Maybe that's because I have a job so things are more attainable.

I've decided my home will be awesome.  Haha that sounds childish, but it will.  It will have a historic feel, unique, maybe even a tower or obvious attic room so it causes those that pass by to wonder what the inside holds.  It will have a grand entrance.  By grand I don't necessarily mean one with marble tile and a huge chandelier with diamonds and gold.  I mean something that sets the tone.  Inviting and grand.  The foyer will be warm. I picture hardwood floors and warm taupe walls so you don't expect the whole house to be different shades of green or something.  It may even be wall paper with a neutral pattern; just a thought.  And yes the lighting will be cool, not gaudy, maybe a bunch of naked light bulbs, well I would go with frosted light bulbs so they glitter like fireflies or stars up above.  A beautiful after thought that intrigues the imagination.  I think that would be a great tone to set.  That is the perfect theme for my home actually.


After that I can take you to so many different rooms with so many different purposes your head will spin.  So today I will leave you with anticipation of what my future mind holds in store for this home.  This dream home.  Nay, this home that is sure to become a definite part of my future. (I hope)


Photo-cedit:  http://everyauctiontellsastory.blogspot.com/2009/03/fab.html

02 March 2011

Food for Thought

A few years ago I applied to an internship at a residential design firm.  They gave me a questionaire to fill out to send in with my usual cover letter and resume.  The questions they ask are great help for planning for interviews I am going on these days.  On top of that, they really help remind you of why you became an interior designer in the first place.  And let's face it, some days we need that reminder.

Why did you choose interior design as a career path?

I chose interior design as a career path simply because it is my passion. As long as I can remember I have been designing the room layouts of igloos in the many winters of my childhood, adding décor to my blanket forts in the basement, and designing my dream home. At career day in eighth grade my friend’s mother came and told us all about her interior design company. Ever since that day I have done all I can to ensure that I will be successful in the interior design career.  


Are you more interested in residential or commercial design and why?  


I’m more interested in residential design for one reason, I love finding out someone’s story. I feel as though with residential I will be directly connected with those that will be using the space I design.


{This has changed over the last few years.  I have grown to love both areas of design.  I even toy with the desire to enter the sector that restores historical sites.  Currently I work with residential design projects at The Great Indoors and I love getting to know customer's personal stories.  But I also would love to see the commercial side of things.  To help more people, on a larger scale.}  

What 5 things would you be most interested in learning form an internship with a residential interior designer?

First of all I am really interested in seeing how everything is organized. My personal organization tends to be a bit scattered and I would love to see how an entire business is organized. Secondly, I want to experience the time schedule first hand. I always hear how a designer has crazy hours and I would love to be able to deal with it in a more real world experience, class projects are one thing but I cannot wait to tackle it in a professional environment. Third, I want to learn how to interact with clients in a comfortable yet professional manner. To be able to have that democratic design I think the client-designer relationship should have a friend base as a building block so the client can trust my decisions and I can get a full understanding of their personal desires for their home. The fourth thing I would like to learn is the process you go about finding pieces and textiles and materials for spaces. How are contacts made for projects that last and become a reliable go to product for your company? Finally I can’t wait to experience how the team works together. Each new team I become a part of is always a great learning experience in itself and helps spring new ideas for the future.

How do you think HGTV/TLC/Bravo have changed the awareness of interior design to the masses, and where do you see the design field heading in the next 10 years?

I think design on television has helped people realize how important interior design is and how it affects everyday life, which is great. However, I feel it has given people a false image of the speed and cost of the design process. Shows like “Extreme Home Makeover” and “While You Were Out” give the appearance that it can happen overnight, the ideas, planning, finding the materials and products, and then having it all come together. What viewers cannot see is all the time designers put in before the episode is filmed planning and preparing the entire space. All viewers see is a process for one room in most cases, or on E.H.M. an entire house (with the help of a ton of people), over a super short period of time. I see design heading in the direction of more environmentally friendly products available to everyone. I feel Target and other mass market retailers will be searching to make their products seem more like the quality of top designers. This will cause the top-designers to seek a new fresh spin on old ideas with the new advances of technology, more storage in smaller spaces, hightech everything.

So often design advice is casually doled out in a dictatorial manner by individuals who are less than compromising their methodology. What does the idea of democratic design mean to you and how do you envision it in practice?

To me democratic design is a phrase that encompasses what I feel design should always be. It incorporates the ideas, opinions, and lifestyle of the client. The key word is the client. The idea of democratic design is to work together, client and designer, and create something that is functional, livable, and a unique work of art. I would envision it being used in practice beginning with meeting the client. Getting to know the client is key to being able to help ensure it will be designed with them in mind, asking them what they like, maybe rooting through magazines and having them say what sticks out to them to get a feel for things. I feel like this should continue throughout the process constantly bringing them options and hearing their first choices and talking things out. I think communication is the success to democratic design.

It is extremely important that we find individuals who have a strong sense of team. What is your definition of team? Please give examples of past team experiences, both good and bad, and be detailed about your role as well as you teammate’s role in accomplishing or not accomplishing the project.

Together everyone achieves more. 
Team work is essential in everything, it’s a challenge, it’s exciting, and it’s productive. Teamwork is people working together to achieve a common goal. Over the years I have had a lot of experience with teamwork. I have been onsoccer teams since I was five. In high school I was the captain which was a challenge for me because I had to lay down the law but still maintain a peer status. Recently, I have become a part of the ASID “team” at MSU. Our group during my freshman year was unable to accomplish the task set forth at the beginning of the school year. We decided as a group to leave $1000 for the next year to work with. Unfortunately some of the group members planned a dance and left us in the hole $500. We found out the next year and spent the year recovering, successfully leaving almost $2000 for the following year. Through this experience we learned to include all group members and ask for help if you need it. That’s what the team is for and the first year’s girls did not realize this soon enough. We were able to apply our new methods of teamwork the next year and achieve our goal with flying colors.

01 March 2011

My Creative Process

This is a paper I wrote on 30 April, 2010 for an Integrative Arts and Humanities course at MSU.  My professor focused on collage art.  A few previous posts feature some of the work I created in this course. {04 April 2010 & 03 April 2010}  Finding this helped remind me why I love what I do and why I am still losing sleep after graduation working on projects I came up with myself, and of course, job hunting.

"The frightening and most difficult thing about being what someboday calls a creative person is that you have absolutely no idea where any of your thoughts come from, really.  And, especially you don't have any idea where they're gonna come from tomorrow."  This quote from Art & Copy describes what I love and hate about being a "creative" person.

My creative process consists greatly of intuitive organic methods.  I love to be inspired and then create concepts.  To me, the story is just as important as the work itself.  Why a piece came to be, why an artist felt compelled to create this thing for the world to see; these are the reasons are is important.  I keep that in mind the entire time I create.  

Usually I create interior spaces, paintins, and photography pieces.  After this class, collage aesthetics has become a great influence upon my work.  My style is eclectic, but never before has I called it collage or noticed how prevalent it was in the world around me.  Many artists create collage pieces.  Pollock's work compares to mine in the organic nature of his pieces and abstract collage aesthetics, minus the cigarrette butts.   Artists that inspire me, however, include Dali, Leibovitz, Dylan, Bono, Jay-Z, The Beatles, Dave Matthews and Led Zeppelin.  Music consumes me and has a great impact on my creative process.  I never work on a piece without music.  Therefore, often the style and tone of the music reflects greatly in my work.

I tend to get caught up conceptually.  This forces my work to take a lot longer than many others.  This is a challenge but I wouldn't have it any other way.  Without my need to tell a story through my art, I would not be as passinate without it.  Hopefully this passion I feel towards each of my pieces influences others.  I want it to radiate the emotion I felt while creating it.  

The last collage assignment, for example, had complete creative control on my part.  I chose to express what I am feeling at this very moment; stressed, frustrated, worried, and overwhelmed.  The piece is messy and cluttered.  The pile of papers represents my stress and the heap of things I need to fix in my life.  The figure in the corner crouched and defeated, barely solid, is a representation of myself.  I am hoping the use of materials will help convey that in comparison to my woes at the moment I feel like I barely exist.  {22 June 2010}

This is the reason I create; therapy, expression, and passion.  I love being a creative person and I would never trade it for anything else. 

27 February 2011

Design is a way of thinking.

As I pace my room at the blessed early (or late, depending on how you look at it) hour of the day, I have found myself thinking about design.  I remembered an article I read six or seven months ago in Newsweek about David Kelley, founder of Ideo.  His firm is basically responsible for convincing the world that design is a great way to do business.   Design is not simply for aesthetic purposes, or even how a product functions.  A business can function well through design.  Most importantly, it can grow and flourish through design.


15 February 2011

Dear Caller to The Great Indoors, Please email a picture of your in-laws kitchen sink.

Today a woman called our ever-so friendly plumbing desk at The Great Indoors for some advice.  She was looking for a kitchen sink, but not your average kitchen sink.  Her "newly acquired in-laws" own a loft in New York City with the kitchen sink that came with the loft.  This sink is:
   a. an island
   b. circular
   c. has faucets in the center
   d. has cutting boards that pull out of the middle
   e. when all the wedges are pulled out, it becomes a table
   f. sounds amazing

Immediately I think of that sink in Harriet the Spy when she's washing that best friend tatoo off her foot.


Anyways, quickly moving past that the gears start turning but nothing comes to mind that is generally manufactured.  So I suggest she try www.google.com, ask her in-laws to ask their trendy friends in NYC, and to have them send her a picture and to please forward it my way as I intend to google it for many hours to come.  


Through my searching I have stumbled across a few cool solutions to a search for "circular", "kitchen sink", and "island".   This Japanese design is a great solution for compact spaces that serve many different purposes.




The Sheer Kitchen is an Italian design worth looking into.  The sphere apears to be a modern art piece and then opens to reveal a fully functioning kitchen complete with sink, stove top, wine cooler, outlets for appliances, faucets, and a table.








Photo-cedit: http://www.sheneehoward.com/movies-that-inspire-harriet-the-spy/, http://www.xpblocker.com/stainlesssteelcircularmultistationwashfountains-p-550.html, http://www.hote-ls.com/color-kitchen-design/japanese-kitchen-island-s-with-3-electric-looking-rings-generous-circular-sink-9-30-10/, http://www.wedyaaan.com/unique-perfect-sphere-kitchen-island-style-concept-design-with-maximize-space, http://www.sheer.it/